Contemporary Perspectives on Music Performance and Creation. Örebro University, 24–25 September 2026.
Programme
Contributions
- Presence, High-hanging Fruit, and the Singing Self
- The Subjunctive Room
- Notation as Relation
- Notation as Provocation
- Improvising with Scores
- The English Garden Fantasy
- Improvisational Explorations of Twentieth-Century Classical Music
- Articulating the Invisible
- The Map is Not the Territory
- Hermeneutical Movement
- Rehearsing Beethoven